Showing posts with label albums. Show all posts
Showing posts with label albums. Show all posts

Thursday, May 7, 2015

Turning The Tables - Why Vinyl Is Final


It has become common in today’s society to pull out the latest iPhone and have access to all the music imaginable; whether it’s singles, albums, stories, recorded events, etc. The convenience to just pop in headphones and pull up popular apps such as Spotify, Pandora, or maybe even the wide variety of catalogs provided by iTunes, all in order to create the blissful experience of listening to music; but is this how music is meant to be heard? 


Phones and computers are now loaded with music libraries of MP3s and files that have stripped the music to an almost distorted quality. These files have ruined the tradition of passing down artifacts and personal items, such as Vinyl records, from generation-to-generation. Not only that but headphones limit the amount of interaction and sharing of the music experience one might of once had with another. Analog has been described as a fuller and warmer way to produce music, with this said vinyl records, being a true analog wave form, provides a higher quality in both sound and, should provide, a much higher satisfaction rate. Due to this technology, vinyl records can be seen over and over again to be very effective, not only for our ears but serves as potentially a great way to bond with others, become a generational connection to the past - not to mention it's cost-effective and can be considered as collectible items compared to the latest MP3 file or CD. Any musician or music fan with a a keen ear will agree that vinyls provide a stronger, more effective sensation to an overall blissful experience.

Vinyl’s were introduced as a way to listen to music in the early twentieth-Century where families and friends would enjoy listening to the fruity-voices, jazz tempos, swing rhythms, ballad singers, along with a variety of other, early music genres. It wasn't until the 1950s when musicians such as Elvis Presley, Chuck Berry, Buddy Holly, and other Rock and Roll pioneers that  vinyl records would take off. Records became a novelty and a way for teenagers and the younger generation to rebel against their parents, whose population mostly resented the new genre. Record stores began to flourish with life as everyone tried to get their hands on the latest single or album, cramming bodies into booths to take in a track or two before making a purchase. These shops became a place to meet people with the same music interest, and still today you’ll find friendly, music enthusiasts in the local vinyl selling store. When purchasing a CD there is little thrill or experience as one would achieve when purchasing a record. However when browsing through the CD selection at Wal-Mart or FYE one could meet other’s in the same interest, but most of the time it’s heads and hands buried deep in the $5 bin with little interaction. iTunes and other online music catalogs provide even less communication, as one sits on a Google  Phone and purchases a track or two with the only bonding or conversing comes from the thumb to the phone screen. If communication does permit through the music downloading process it’s through online discussion, which isn't an interaction at all.
The thin, black disc doesn't just provide a great way to communicate with other music fanatics, but can solve various other problems that is seen in today’s society. It is no secret that with every decade the generation gap expands and more often than not the older generations and younger generation do not connect and share experiences as they use to; one factor of this is the use and spike in technology. Spending time at Grandma’s house is not the old baking cookies, instead it is spent in front of these 2” by 3” screens and communication is not the moving of a jaw but the typing of codes that literally have to travel through outer space just to reach our companion. The older generations are suppose to teach the younger generation lessons of their lives and stories of their youth, during which artifacts and memories of their past are often shared.. Artifacts such as pins, pictures, scrapbooks, toys, and yes,even records are most common among bridging the past with the present. Music can tell a lot about a person, their interests, their situation … Passing down music is passing down a piece of someone’s heart which makes Vinyls an important part of building the gap between generations. How will today’s generation pass down this vital piece of life? By sharing a file through the next social media website to their children and their children’s children? Vinyls are structure, solid mass, they are  here to stay while MP3s and other similar files are part of the unstable digital world that involves a constant need of updating and hours of backing up just to insure it's safety for the following year or so. When was the last time you heard of a 33 ⅓ needing a new update?
    It’s true, owners grow a deep bond and connection for their records; maybe that is why vinyls are still around today and are finally regaining popularity. Everyone has their own hobby, whether it’s athletics, painting, photography, cooking, and so forth. Vinyls do not just provide a way to escape the world, a way to communicate, and a great way to pass memories and stories from generation-to-generation, they also provide a great hobby; the art of collecting and archiving. Whether it’s the collection of stamps, stuffed animals, baseball cards or any kind of collection any collector would agree that there is a deep appreciation and love for their items. For any music lover records probably provide the best way to collect and show off their music catalog, for these discs express a more unique look than CDs, look fantastic hung on walls, are neatly stacked on a shelf, can come with rare and collectible add ons such as posters, and much more! Also, it’s physically impossible to collect and boast your collection of MP3 files, unless you want to print off a bunch of sound-waves or file folders from your desktop. 

Records and Vinyls provide a timeless collection and with help with today’s technology these collections, for example The Beatles, are being restored and released as box-sets, AKA a collectors dream! It was groundbreaking when iTunes released The Beatles collection in 2010, allowing music fans from around the world to have access to downloading and bring the Fab Four into their playlist, thus skyrocketing iTunes and Apple business. However, even with the great increase in Apple sales, a decrease in sound quality could easily be heard by any audiophile purest. Four years later, long over due, The Beatles collection was remastered and released in the ultimate Beatle lovers dream; a vinyl box set! For essentially the same cost as their catalog on iTunes, the mop-topped Liverpool lords can be brought to shelves, walls, and collections and passed from generation-to-generation. The moral of this paragraph? Vinyls and records provide a great hobby and make a great collection with their artsy vibe, look, enthusiasm through restored box-sets.


          Words like, art, free, creative, expression, among others are usually associated with the word “music”. One can say the same about vinyl. It’s words like dexterity and the previous list that cannot be used in the same fashion when comparing vinyl records to other sources of music for a few reasons. One being the cleverness and effort put into creating the track-list of an album; granted buying an album online or on a CD will offer all of the same tracks in the same order as they appear on a vinyl, however vinyls require some effort in flipping the record every few tracks to listen to each side. What? Actually having to get up (or sit down) to flip a record just to finish listening to the album? Vinyls and the switching of sides weren't created as an exercise routine for listeners, due to the technology of a record it is impossible to have all tracks on one side without expanding the diameter of the vinyl itself, but these sides are not a bad thing, in fact this is where words like creative come into play. Sides provide an artistic way for artist to space out their songs and create a track-list that flows constantly throughout the album. Take The Beatles, again, for instance and their album Abbey RoadAbbey Road is a great example of how vinyls are more creatively put together than CDs or MP3s with what is known as The Abbey Road Medley. A Medley, as described by Merriam Websters Dictionary, are “a musical composition made up of a series of songs or short pieces”, for example the A-Side of Abbey Road is composed of a normal track-listing of songs, one to another, without much thought of the order, it’s the B-side however consists of creative, expression with an eight song medley! MP3s and CDs do not allow a listener to have the experience of jumping from one side of an album to having the second side be completely dedicated to a suite of music, instead one listens to the album in a whole without any artistic, if you will, breaks. When it comes to listening to music, side’s are on your side.


My uncle, Dan McGonagle, CEO of Media One, whom has re-read and edited my work for this post, mentioned the following on the subject; 

"And to more emphasize the point, music being produced today isn’t being produced in the genre of “concepts”. Abbey Road or Pink Floyd’s The Dark Side of the Moon were meant to be listened to from A-Z. They were known as “concept’’ albums with the idea of a total music experience. Today music is being created as one downloadable track at a time with no relevance to each other. Concept albums are still be created by artist such as “Beck” and revered for their creativity, there are still too many Taylor Swift empty-shell, thoughtless tracks promulgating playlists and most of our society, who are heavily affected by pop culture, suffers and steps back, instead of moving forward to greater enlightenment. "
 
The following video is The Abbey Road medley;  


Tom Petty and The Heartbreakers Hard Promises album,  and poster
    Money, the major factor in any purchase. When it comes to music MP3s maybe cheap, and yes, Walmart does have a $5 bin when it comes to buying CDs, and sure a new vinyl can cost a lot of money, depending on their rarity, condition, and who the artist/band is, but vinyls can also be found in good condition for little cost. Buying a single song on iTunes is typically $1.29, whereas a CD can cost an average of $13.80 (as of 2010), but a FULL album used can be found in good condition at a local record store that can sell as little as $1 - a vinyl in new condition can averagely cost,at starting price, around $20 (estimated in 2013). When it comes to purchasing an album, vinyl is the way to go for a few other reasons besides cost. For example when downloading a file one only receives the song, track, or album on their device - but don't worry, one will still get the album cover with a download, but warning, binoculars will be needed due to the small sized image. A CD provides a case and cover - a cover that is slightly larger than a file - which is cool too. But, an album provides a cover, better quality sound and, as mentioned previously, can come with other novelty items such as a poster. Get the whole music and cultural experience and purchase music with the whole package.

  While on the subject of comparing these main, three music productions and their design, there's really no comparison, vinyls are the clear winner. In the previous paragraph it is mentioned that MP3s and digital files use the computer generated route in producing a sound-waves and compression that create the music we hear through our headphones. CDs come with little cover artwork and sometimes with a booklet about the album or song lyrics of every tracks. Vinyls proudly provide not only a larger and prouder collectible item but much more. Let's start with album art. Music itself is an art form, therefore the music ringing through the air while listening is a form of art and beauty itself, but another reason to purchase vinyls is for the cover art itself. Sometimes the true beauty of an album is found in the cover, that certain design or look that gravitates the listener towards the music source. Covers are created in various ways, whether it's an iconic picture, for example Bruce Springsteen's Born To Run, of the artist(s) themselves; a scenery or place, for instance The Eagles Hotel California; or artwork itself, use Pink Floyd's The Dark Side of The Moon as a reference. However we not only loose this beauty when downloading a small, pixelated image on our phones, or a slightly larger image on a CD but we loose the creators and story. If you've ever held a vinyl you may find song lyrics,and more often than not, little notes found on the records sleeve or cover - these are called liner notes. One should also find a list of names, names of people - from producers, other musicians who played on the album, engineers, cover photographer or artist, etc. - who made the album possible. Vinyls contain pictures of the bands journey and sessions throughout the albums which can make great posters and a great way for the listener to see what goes into the creation.
 Cover art work provides much more than just pictures, lyrics, credits, etc. they also provide a story. Once again take The Beatles as example with the Paul Is Dead Rumor where cover's such as Sgt Peppers Lonely Hearts Club Band and Abbey Road provide a plethora of clues and details that aid towards the rumor. Then there are album covers that are simple or are created through colors and zany patterns that allow the viewer to create their own story or imagery giving a more creative experience, in the sense that the album art doesn't just belong to the artist but the interpretation belongs to the fan.
Not to paraphrase what has already been written, it cannot be stressed enough that vinyl provide a much higher sound quality than any other music production. Now here's why in depth. Let's start with that rich, beautiful, and full sound a listener receives after dropping the needle. The sound quality provided by the contact of the needle and vinyl grooves emits the closest, most organic, production one can experience when it comes listening to a specific artist or band without actually being a live concert or recording session. This is due to several factors, one is do to the the full analog contained on the thin, black disc. When creating a vinyl record an engineer takes the analog, or the raw product of a artist or bands work and transports it into a magnetic tape which eventually will be transformed into that beautiful, shiny LP without loosing the full-fidelity of the track and avoiding, at all cost, any digital conversions. Another reason why records dispense a stronger quality are the grooves or lines shown on the record itself. Depending on the grooves length and depth reflects on the songs volume. For example the larger the record - compare a 33 1/3 to a 45 - the softer and quieter the sound will be, due to the more tracks fitted on a side, the skinnier the grooves. However, this may sound anti-vinyl it is completely opposite. Grooves supply room and space between the analog - not to mention a mirrored image of the sound-wave itself - creating a crisp, clean sound for it's specific format, unlike digital.
Digital formats of music, found in both MP3s, files, and CDs strip the analog and loose essential pieces of music through the transformation process. This can be seen through sound-waves and radio-waves, where Disc-Jockeys are over and over again playing songs that have been so digitally mastered. These files are made of closely knitted waves created by speeding up snippets of the analog signal at a certain rate - CDs for examples are sped up at a 44 rate, meaning 100 times per second. In this process the once untouched, analog becomes a digital file of smashed dynamics, textures, and other essentials, concluding in little space for the music to produce the full, vitality of an artist or band's creation.

In conclusion, vinyl is more than just a material. The icon symbol of music is a great way to make new friends, create a greater bond between generations, provide a stunning collection, without worrying about money. When compared to digital productions it's no secret that vinyl records supply a more creative outlook, in both the album art work itself and the creation of the track list and sides. If I haven't convienced you yet about the sound quality of a record verses a mass- media digital creation, try it for yourself.


Peace, Chaos and Good Vibes!

-Lindsey C.

Friday, June 13, 2014

18 Days of McCartney Day 13- Albums

Let me tell ya, do you fancy a bit of Rock 'n' Roll?


From McCartney in 1970 to New in 2013,  Sir James Paul McCartney has released a total of twenty- four studio and eight live albums! In this post you'll find a little history of each album, from Paul solo, Paul and Linda, and even Paul McCartney and Wings. To hear each album simple click on the green, bolded album name for a Youtube link.

McCartney, 1970;

McCartney was released on 17 April, 1970. The album was recorded secretly during his parting time with The Beatles from December 1969- February 1970. In 1968 The Beatles began recording Let It Be which was set to be released in March of 1970, it had now became sure that The Beatles were bound to split with Paul releasing his first solo album and Ringo on the way with his Sentimental Journey, also, both albums being recorded after John made the statement that he wanted to divorce The Beatles on 20 September, 1969. His album was due to be released in mid-April, as it was settled with Apple Records that way. It had now became late March and Phil Spector had told the group that the Let It Be album was almost complete, it was at this point on 31 March that John Lennon and George Harrison tried to tell Paul he had to postpone his album to the 4th of June allow The Beatles Let It Be to get enough recognition. This caused a feud with Paul, he had already allowed The Beatles and their new manager Allen Klein to push his album back a week to allow Ringo's album to get publicized. The album, to spite of the other three and Klein, was released as told, on 17 April. The album consists the following tracks;
  1. The Lovely Linda
  2. That Would Be Something
  3. Valentine Day
  4. Every Night
  5. Hot as Sun/Glasses
  6. Junk
  7. Man We Was Lonely
  8. Oo You
  9. Momma Miss America
  10. Teddy Boy
  11. Singalong Junk
  12. Maybe I'm Amazed
  13. Kreen-Akrore 

Ram, 1971;

After The Beatles break up Paul and his new wife, Linda, had found themselves living in Scotland to get away from it all. It was during this time that Paul and Linda had wrote the 1971 album, Ram. Read about the 2012 release of the album here.
  1. Too Many People
  2. 3 Les
  3. Ram On
  4. Dear Boy
  5. Uncle Albert/ Admiral Halsey
  6. Smile Away
  7. Heart of the Country
  8. Monkberry Moon Delight
  9. Eat at Home
  10. Long Haired Lady
  11. Ram On
  12. The Back Seat of My Car
Wild Life, 1971;

3 August, 1971 Paul had formed a new band that would go on to shape his career as an ex-Beatle along with shaping the 1970s; Wings. Read about Wings History here and Wings Tours here. The bands first album wasn't too successful as the group hoped with reviews saying "Just when he (McCartney) needed a break" and others feeling that the album was rushed.
  1. Mumbo
  2. Bip Bop
  3. Love is Strange
  4. Wild Life
  5. Some People Never Know
  6. I Am Your Singer
  7. Tomorrow
  8. Dear Friend
Red Rose Speedway, 1973;

By this time Wings had become known as Paul McCartney and Wings as credited to on their second album, Red Rose Speedway. To some critics surprise the album was not at all like their first, instead this album had reached it way to number 1 in Billboard 200. The album was released on 30 April, 1973 (US) and 4 May, 1973 (UK).
  1. Big Barn Bed
  2. My Love
  3. Get on the Right Thing
  4. One More Kiss
  5. Little Lamb Dragonfly
  6. Single Pigeon
  7. When the Night
  8. Loup (1st Indian on the Moon)
  9. Medley; Hold Me Tight/ Lazy Dynamite/ Hands of Love/ Power Cut
Band on the Run, 1973;

By this time in Wings history guitarist  Henry McCullough and drummer Denny Seiwell had quit the band, right before Paul McCartney, Linda McCartney, and Denny Laine, wrote, recorded, and released Wings most successful album of all time, which later became 1974s top-selling studio album in both the United Kingdom and Australia; Band on the Run. Released on 5 December, 1973 (US) and 7 December, 1973 (UK).
  1. Band on the Run
  2. Jet
  3. Bluebird
  4. Mrs. Vanderbilt
  5. Let Me Roll It
  6. Mamunia
  7. No Words
  8. Picasso's Last Words (Drink to Me)
  9. Nineteen Hundred and Eighty-Five
Venus and Mars, 1975;

On 27 May, 1975 Wings released their fourth album, Venus and Mars, which would continue the success streak.  The album became the first post-Beatles Paul McCartney album to be released under Capitol Records label instead of Apple Records, which was co-found by Paul himself.
  1. Venus and Mars
  2. Rock Show
  3. Love in Song
  4. You Gave Me The Answer
  5. Magneto and Titanim Man
  6. Letting Go
  7. Venus and Mars (Reprise)
  8. Spirits of Ancient Egypt
  9. Medicine Jar
  10. Call Me Back Again
  11. Listen to What the Man Said
  12. Treat Her Gently/ Lonely Old People
  13. Crossroads Theme
Wings at the Speed of Sound, 1976;

During Wings World Tour, the band released their fifth album, Wings at the Speed of Sound on 25 March, 1976. The album would included each band member, now including Paul, Linda, Denny Laine, Jimmy McCulloch, and Joe English, taking lead vocal.
  1. Let 'Em In
  2. The Note You Never Wrote
  3. She's My Baby
  4. Beware My Love
  5. Wino Junko
  6. Silly Love Songs
  7. Cook of the House
  8. Time to Hide
  9. Must Do Something About It
  10. San Ferry Anne
  11. Warm and Beautiful
Wings Over America, 1976 (Live);

Due to Wings great success on it's World Tour, especially in America, an album to promote the band and their future live performances, a triple album with track listing of Wings live performances was released on 10 December, 1976; Wings Over America. The original release contained three records (as it was a triple album) and a poster of the band on tour.
  1. Venus and Mars/Rock Show/ Jet
  2. Let Me Roll It
  3. Spirits of Ancient Egypt
  4. Medicine Jar
  5. Maybe I'm Amazed
  6. Call Me Back Again
  7. Lady Madonna
  8. The Long and Winding Road
  9. Live and Let Die
  10. Picasso's Last Words (Drink to Me)
  11. Richard Cory
  12. Bluebird
  13. I've Just seen a Face
  14. Blackbird
  15. Yesterday
  16. You Gave Me the Answer
  17. Magneto and Titanium Man
  18.  Go Now
  19. My Love
  20. Listen to What the Man Said
  21. Let 'Em In
  22. Time To Hide
  23. Silly Love Songs
  24. Beware My Love
  25. Letting Go
  26. Band on the Run
  27. Hi, Hi, Hi
  28. Soily
London Town, 1978;

Once again Wings was back to Paul, Linda, and Denny Laine, as Jimmy McCulloch and Joe English had went off to focus on other music ambitions. The three original and remaining Wings members would release their sixth studio album on 31 March, 1978.
  1. London Town
  2. Café on the Left Bank
  3. I'm Carrying
  4. Backwards Traveller
  5. Cuff Link
  6. Children, Children
  7. Girlfriend
  8. I've Had Enough
  9. With a Little Luck
  10. Famous Groupies
  11. Deliver Your Children
  12. Name and Address
  13. Don't Let It Bring You Down
  14. Morse Moose and the Grey Goose
Back to the Egg, 1979;

Just like before, when two members leave the band, two members join, in this case it was drummer Steve Holly and guitarist Laurence Juber. On 24 May, 1976 (US), 8 June, 1979 (UK) Wings released their seventh and final album, Back to the Egg.
  1. Reception
  2. Getting Closer
  3. We're Open Tonight
  4. Spin It On
  5. Again and Again and Again
  6. Old Siam, Sir
  7. Arrow Through Me
  8. Rockestra Theme
  9. To You
  10. After the Ball/Million Miles
  11. Winter Rose/ Love Awake
  12. The Broadcast
  13. So Glad to See You Here
  14. Baby's Request
McCartney II, 1980;

After the release of Back to the Egg, Wings was pending with a tour soon to take place, as Paul began to work on his second solo album, McCartney II. The album would be released on 16 May, 1980 (US) and 22 May, 1980 (UK).
  1. Coming Up
  2. Temporary Secretary
  3. On the Way
  4. Waterfalls
  5. Nobody Knows
  6. Front Parlour
  7. Summer's Day Song
  8. Frozen Jap
  9. Bogey Music
  10. Darkroom
  11. One of These Days
Tug of War, 1981;

Paul's third solo album was released on 26 April, 1982 and would reunite McCartney with old Beatles producer at EMI studios, George Martin. The album would feature "Here Today" a song written about his love for ex-bandmate, John Lennon, who was assassinated the previous 8 December. Stevie Wonder is featured on "What's That You're Doing" and "Ebony and Ivory"; the album also features Carl Perkins "Get It".
  1. Tug of War
  2. Take It Away
  3. Somebody Who Cares
  4.  What's That You're Doing
  5. Here Today
  6. Ballroom Dancing
  7. The Pound is Sinking
  8. Wanderlust
  9. Get It
  10. Be What You See (Link)
  11. Dress Me Up as a Robber
  12. Ebony and Ivory
Pipes of Peace, 1983;

On 31 October, 1983 Paul released his fifth solo studio album calling it Pipes of Peace. Featured on the tracks "Say, Say, Say" and "The Man" is Michael Jackson.
  1. Pipes of Peace
  2. Say, Say, Say
  3. The Other Me
  4. Keep Under Cover
  5.  So Bad
  6. The Man
  7. Sweetest Little Show
  8. Average Person
  9. Hey, Hey
  10. Tug of Peace
  11. Through Our Love
Give My Regards to Broad Street, 1984;

The album is the soundtrack to the 1984 film, Give My Regards to Broad Street, a film about Paul McCartney with records from his Beatles days to Wings to solo.  The album would be released on 22 October, 1984.
  1. No More Lonely Nights
  2. Good Day Sunshine
  3. Corridor Music
  4. Yesterday
  5. Here, There and Everywhere
  6. Wanderlust
  7. Ballroom Dancing
  8. Silly Love Songs
  9. Silly Love Songs ( reprise)
  10. Not Such a Bad Boy
  11. So Bad
  12. No Values
  13. No More Lonely Nights (reprise)
  14. For No One
  15. Eleanor Rigby
  16. Eleanor's Dream
  17. The Long and Winding Road
  18. No More Lonely Nights (Playout version)
  19. Goodnight Princess
Press to Play, 1986;

Released on 22 August, 1986, Press to Play became the sixth solo album by Paul McCartney.
  1. Stranglehold
  2. Good Times Coming/ Feel the Sun
  3. Talk More Talk
  4. Footprints
  5. Only Love Remains
  6. Press
  7. Pretty Little Head
  8. Move Over Buskers
  9. Angry
  10. However Absurb
Choba B CCCP, 1988;

Also known as the Russian Album, was released 31 October, 1988. The album being originally released in the Soviet Union with McCartney covering songs from Paul's teenage years of rock and roll.
  1. Kansas City
  2. Twenty Flight Rock
  3. Lawdy, Miss Clawdy
  4. I'm in Love Again
  5. Bring It On Home to Me
  6. Lucile
  7. Don't Get Around Much Anymore
  8. I'm Gonna Be a Wheel Someday
  9. That's All Right Mama
  10. Summertime
  11. Ain't That a Shame
  12. Crackin' Up
  13. Just Because
  14. Midnight Special
Flowers In The Dirt, 1989;

On the albums release Paul had launched another world tour, the fist since he was with Wings twelve years prior. The album was released on 5 June, 1989.
  1. My Brace Face
  2. Rough Ride
  3. You Want Her Too
  4. Distractions
  5. We Got Married
  6. Put It There
  7. Figure of Eight
  8. This One
  9. Don't Be Careless Love
  10. That Day Is Done
  11. How Many People
  12. Motor of Love
Tripping the Live Fantastic, 1990 (Live);

Released on 29 October, 1990. The album was released as a triple LP, Double cassette and CD.
  1. Showtime
  2. Figure of Eight
  3. Jet
  4. Rough Ride
  5. Got To Get You Into My Life
  6. Band On The Run
  7. Birthday
  8. Ebony and Ivory
  9. We Got Married
  10. Inner City Madness
  11. Maybe I'm Amazed
  12. The Long and Winding Road
  13. Crackin' Up
  14. The Fool on the Hill
  15. Sgt. Pepper's Lonely Hearts Club Band
  16. Can't Buy Me Love
  17. Matchbox
  18. Put It There
  19. Together
  20. Things We Said Today
  21. Eleanor Rigby
  22. This One
  23. My Brave Face
  24. Back in the U.S.S.R
  25. I Saw Her Standing There
  26. Twenty Flight Rock
  27. Coming Up
  28. Sally
  29. Let It Be
  30. Ain't That A Shame
  31. Live and Let Die
  32. If I Were Not Upon The Stage
  33. Hey Jude
  34. Get Back
  35. Golden Slumbers/ Carry That Weight/ The End
  36. Don't Let The Sun Catch You Crying
Tripping the Live Fantastic: Highlights!
  1. Got To Get You Into My Life
  2. Birthday
  3. We Got Married
  4. The Long and Winding Road
  5. Sgt. Pepper's Lonely Hearts Club Band
  6. Can't Buy Me Love
  7. All My Trials
  8. Put It There
  9. Things We Said Today
  10. Eleanor Rigby
  11. My Brave Face
  12. Back in the U.S.S.R
  13. I Saw Her Standing There
  14. Coming Up
  15. Let It Be
  16. Hey Jude
  17. Get Back
  18. Golden Slumbers/ Carry That Weight/ The End
Unplugged (The Official Bootleg), 1991 (Live);

When it came to releasing bootlegs and demos, Paul was The Beatles to go to. He loved those and thought that the fans should hear them as well. Released on 20 May, 1991.
  1. Be-Bop-A-Lula
  2. I Lost My Little Girl
  3. Here, There and Everywhere
  4. Blue Moon of Kentucky
  5. San Francisco Bay Blues
  6. We Can Work It Out
  7. I've Just Seen a Face
  8. Every Night
  9. She's a Woman
  10. Hi- Heel Sneakers
  11. And I Love Her
  12. That Would Be Something
  13. Blackbird
  14. Ain't No Sunshine
  15. Good Rockin' Tonight
  16. Singing the Blues
  17. Junk
Off the Ground, 1993;

Released on 2 February, 1993 (UK) and 9 February, 1993 (US) becoming the first solo studio album of the 1990s for McCartney.
  1. Off the Ground
  2. Looking for Changes
  3. Hope of Deliverance
  4. Mistress and Maid
  5. I Owe It All to You
  6. Biker Like and Icon
  7. Peace in the Neighbourhood
  8. Golden Earth Girl
  9. The Lovers That Never Were
  10. Get Out of My Way
  11. Winedark Open Sea
  12. C'mon People
Paul Is Live, 1993 (Live);

Just like Wings Over America, the album was in support of Paul's world tour.
  1. Drive My Car
  2.  Let Me Roll It
  3. Looking For Changes
  4. Peace in the Neighbourhood
  5. All My Loving
  6. Robbie's Bit
  7. Good Rockin' Tonight
  8. We Can Work It Out
  9. Hope of Deliverance
  10. Michelle
  11. Biker Like an Icon
  12. Here, There and Everywhere
  13. My Love
  14. Magical Mystery Tour
  15. C'mon People
  16. Lady Madonna
  17. Paperback Writier
  18. Penny Lane
  19. Live and Let Die
  20. Kansas City
  21. Welcome to Soundcheck
  22. Hotel In Benidorm
  23. I Wanna Be Your Man
  24. A Fine Day

Flaming Pie, 1997;

The album featured many friends and family members such as, Jeff Lynne, Steve Miller, Ringo Starr, and even Paul's own son, James McCartney. The album also contains "Little Willow" a tribute to Ringo Starr's first wife, Maureen Cox, who unfortunately passed away in 1994 from leukemia.
  1. The Song We Were Singing
  2. The World Tonight
  3. If You Wanna
  4. Somedays
  5. Young Boy
  6. Calico Skies
  7. Flaming Pie
  8. Heaven on a Sunday
  9. Used to Be Bad
  10. Souvenir
  11. Little Willow
  12. Really Love You
  13. Beautiful Night
  14. Great Day
Run Devil Run, 1999;

Just like Choba B CCCP, the album features rock and roll songs from Paul's childhood. It also contains three original songs by McCartney.
  1. Blue Jean Bop
  2. She Said Yeah
  3. All Shook Up
  4. Run Devil Run
  5. No Other Baby
  6. Lonesome Town
  7. Try Not to Cry
  8. Movie Magg
  9. Brown Eyed Handsome Man
  10. What It Is
  11. Coquette
  12. I Got Stung
  13. Honey Hush
  14. Shake a Hand
  15. Party
Driving Rain, 2001;

The album was released prior to Paul's marriage with his second wife, Heather Mills (whom he married on 11 June, 2002), on 12 November, 2001.
  1. Lonely Road
  2. From a Lover to a Friend
  3. She's Given Up Talking
  4. Driving Rain
  5. I Do
  6. Tiny Bubble
  7. Magic
  8. Your Way
  9. Spinning on an Axis
  10. About You
  11. Heather
  12. Back in the Sunshine Again
  13. Your Loving Flame
  14. Riding into Jaipur
  15. Rinse the Raindrops
  16. Freedom
Back In the U.S, 2002 (Live);

A double live album from his Driving USA Tour to support his new release, Driving Rain. The album was released on 11 November, 2002.
  1. Hello, Goodbye
  2. Jet
  3. All My Loving
  4. Getting Better
  5. Coming Up
  6. Let Me Roll It
  7. Lonely Road
  8. Driving Rain
  9. Your Loving Flame
  10. Blackbird
  11. Every Night
  12. We Can Work It Out
  13. Mother Nature's Son
  14. Vanilla Sky
  15. Carry That Weight
  16. The Fool on the Hill
  17. Here Today
  18. Something
  19. Eleanor Rigby
  20. Here, There and Everywhere
  21. Band on the Run
  22. Back in the U.S.S.R
  23. Maybe I'm Amazed
  24. C Moon
  25. My Love
  26. Can't Buy Me Love
  27. Freedom
  28. Live and Let Die
  29. Let It Be
  30. Hey Jude
  31. The Long and Winding Road
  32. Lady Madonna
  33. I Saw Her Standing There
  34. Yesterday
  35. Sgt. Pepper's Lonely Hearts Club Band/ The End
Back in the World, 2003 (Live);
The same as Back in the US except it simply was not in the US but in the World. Released 17 March, 2003.
  1. Hello, Goodbye
  2. Jet
  3. All My Loving
  4. Getting Better
  5.  Coming Up
  6. Let Me Roll It
  7. Lonely Road
  8. Driving Rain
  9. Your Loving Flame
  10. Blackbird
  11. Every Night
  12.  We Can Work it Out
  13. Mother Nature's Son
  14. You Never Give Me Your Money/ Carry That Weight
  15. The Fool on the Hill
  16. Here Today
  17. Something
  18. Eleanor Rigby
  19. Here, There and Everywhere
  20. Calico Skies
  21. Michelle
  22. Band on the Run
  23. Back in the U.S.S.R
  24. Maybe I'm Amazed
  25. Let 'Em In
  26. My Love
  27. She's Leaving Home
  28. Can't Buy Me Love
  29. Live and Let Die
  30. Let It Be
  31. Hey Jude
  32. The Long and Winding Road
  33. Lady Madonna
  34. I Saw Her Standing There
  35. Yesterday
  36. Sgt.. Pepper's Lonely Hearts Club Band/ The End
Chaos and Creation in the Backyard, 2005;

The album would be the last album released for McCartney's longtime recordings with EMI. Just like McCartney and McCartney II,  Paul would be featured playing nearly every instrument.
  1. Fine Line
  2. How Kind of You
  3. Jenny Wren
  4. At the Mercy
  5. Friends to Go
  6. English Tea
  7. Too Much Rain
  8. A Certain Softness
  9. Riding to Vanity Fair
  10. Follow Me
  11. Promise to You Girl
  12. This Never happened Before
  13. Anyway
Memory Almost Full, 2007;

After ending his contract with EMI Studios, Paul signed with Starbucks Hear Music. Released on 4 June, 2007.
  1. Dance Tonight
  2. Ever Present Past
  3. See Your Sunshine
  4. Only Mama Knows
  5. You Tell Me
  6. Mr. Bellamy
  7. Gratitude
  8. Vintage Clothes
  9. That Was Me
  10. Feet in the Clouds
  11. House of Wax
  12. The End of the End
  13. Nod Your Head
Good Evening New York City, 2009 (Live);

From Paul's three night performances in New York.
  1. Drive My Car
  2. Jet
  3. Only Mama Knows
  4. Flaming Pie
  5. Got To Get You Into My Life
  6. Let Me Roll It
  7. Highway
  8. The Long an Winding Road
  9. My Love
  10. Blackbird
  11. Here Today
  12. Dance Tonight
  13. Calico Skies
  14. Mrs. Vandebilt
  15. Eleanor Rigby
  16. Sing the Changes
  17. Band on The Run
Kisses On The Bottom, 2012;

The album consists solely of McCartney covering traditional pop and jazz music. Paul however did write "My Valentine", which was written about his new wife Nancy Shevell,  and "Only Our Hearts".

  1. I'm Gonna Sit Right Down and Write Myself a Letter
  2. Home (When Shadows Fall)
  3. It's Only a Paper Moon
  4. More I Cannot Wish You
  5. The Glory of Love
  6. We Three (My Echo, My Shadow and Me)
  7. Ac-Cent-Tchu-Ate the Positive
  8. My Valentine
  9. Always
  10. My Very Good Friend the Milkman
  11. Bye, Bye Blackbird
  12. Get Yourself Another Fool
  13. The Inch Worm
  14. Only Our Hearts
New, 2013;

Unlike Kisses on The Bottom, New was a rather upbeat album with songs based around and was inspired by Paul's early Beatles days. The album had four producers working on it, Mark Ronson, Ethan Johns, Paul Epworth, and George Martin's son, Giles.
  1. Save Us
  2. Alligator
  3. On My Way to Work
  4. Queenie Eye
  5. Early Days
  6.  New
  7. Appreciate
  8. Everybody Out There
  9. Hosanna
  10. I Can Bet
  11. Looking at Her
  12. Roads
  13. With hidden track "Scared"

Where will Sir Paul's music take him now?


Saturday, February 15, 2014

25 Days of Harrison Day 14- Albums

"I think people who truly can live a life in music are telling the world, 'You can have my love, you can have my smiles. Forget the bad parts, you don't need them. Just take the music, the goodness, because it's the very best, and it's the part I give most willingly'"- George Harrison
George had released a total of fourteen solo albums (including "Brainwashed" which he worked on up to his death) through his 58 years. Not all full details are in this following post, but a little background of each album, the tracklisting, and the full album (via Youtube videos)

Wonderwall Music- 1968
 Not only was it the first solo Beatle album but the first LP Apple had ever released. The album was the soundtrack for the film Wonderwall and was released on 1 November, 1968 (UK) and 2 December,1968 (US). It lasts approximately 45 minutes 43 seconds and was recorded in London and Bombay. Harrison is listed as the producer, writer, and arranger.
 The track listing is as followed:
  1. Microbes
  2. Red Alady Too
  3. Tabla and Pakavaj
  4. In the Park
  5. Drilling a Home
  6. Guru Vandana
  7. Greasy Legs
  8. Ski-Ing
  9. Gat Kirwani
  10. Dream Scene
  11. Party Seacombe
  12. Love Scene
  13. Crying
  14. Cowboy Music
  15. Fantasy Sequins
  16. On The Bed
  17. Glass Box
  18. Wonderwall to Be Here
  19. Singing Om
The album did not place in charts.

Electronic Sound -1969
This was George's second studio album released on Zapple, a subsidiary of The Beatles Apple Records. The album was recorded in November of 1968 and February of 1969, featuring only two songs, "Under the Mersey Wall" and "No Time or Space", both preformed on the Moog synthesizer. "No Time For Space" would reappear in George's later album, All Things Must Pass "I Remember Jeep". Bernie Krause, an electronic composer in California worked with Harrison on the album.


All Things Must Pass- 1970
Probably George Harrison's most notable album with most likely his most iconic album cover of him sitting in a field surrounded by garden gnomes. The album was recorded on 26 May- October 1970 in three studios, Abbey Road, Trident, and Apple. It was produced by George himself and Phil Spector, who described listening to George's songs for the album in 1970 as "endless".
"I went to George's Friar Park ... and he said, "I have a few ditties for you to hear." It was endless! He had literally hundreds of songs and each one was better than the rest. He had all this emotion built up when it was released to me."-Phil Spector
The album features many musicians like Eric Clapton, Billy Preston, Bob Dylan (the two would write "I'd Have You Anytime" together), and many more. The album featured some of Harrison's greatest works like "My Sweet Lord", "All Things Must Pass", "What Is Life" and so many more. The album was originally released as a triple album.
Disc One:
  1. I'd Have You Anytime
  2. My Sweet Lord
  3. Wah-Wah
  4. Isn't It A Pity
  5. What Is Life
  6. If Not For You
  7. Behind That Locked Door
  8. Let It Down
  9. Run of the Mill
  10. Beware of Darkness
  11. Apple Scruffs
  12. Ballad of Sir Frankie Crisp (Let It Roll)
  13. Awaiting on You All
  14. All things Must Pass
Disc Two
  1. I Dig Love
  2. Art of Dying
  3. Isn't It A Pity
  4. Hear Me Lord
  5. Out of the Blue
  6. It's Johnny's Birthday
  7. Plug Me In
  8. I Remember Jeep
  9. Thanks for the Pepperoni

The Concert For Bangla Desh-1971
The album from the Concert For Bangla Desh. Read about the concert here and here.
 The album includes performances by Ravi Shankar, Billy Preston, Ringo Starr, Mick Jagger, Jerry Leiber, Doc Pomus, Keith Richards, Mike Stroller, and Bob Dylan.
Disc 1 
  1. George Harrison/Ravi Shankar Introduction
  2. Bangla Dhun
  3. Wah- Wah
  4. My Sweet Lord
  5. Awaiting on You All
  6. That's the Way God Planned It
  7. It Don't Come Easy
  8. Beware of Darkness
Disc 2
  1. Medley: Jumpin' Jack Flash/ Young Blood
  2. Here Comes The Sun
  3. A Hard Rain's A-Gonna Fall
  4. It Takes a Lot to Laugh, It Takes a Train to Cry
  5. Blowin' In The Wind
  6. Mr. Tambourine Man
  7. Just Like A Woman
  8. Something
  9. Bangla Desh

Living In The Material World-1973
Living In The Material World was George Harrison's fourth studio released on 30 May 1973 (UK) and 22 June 1973 (US).
  1. Give Me Love (Give Me Peace On Earth)
  2. Sue Me, Sue You Blues
  3. The Light That Had Lighted The World
  4. Don't Let Me Wait Too Long
  5. Who Can See It
  6. Living In The Material World
  7. The Lord Loves the One (That Loves the Lord)
  8. Be Here Now
  9. Try Some Buy Some
  10. The Day The World Gets 'Round
  11. That Is All
 Rolling Stone's Stephen Holden comment on the album saying "At last it's here", saying that the album was worth the two and half year wait, after All Things Must Pass.



Dark Horse- 1974
George had been suffering from laryngitis during this point, which had critics making a point about talking about his voice being weak. The album was released on 9 December, 1974 on Apple Records. He released for his first solo tour in America, the first US tour by any Beatle since 1966. During this time he would be setting up Dark Horse Records and would also be around the time he and his first wife began to split, George describes it in his autobiography as "the end of a bad domestic year". The album features musicians like, Billy Preston, tom Scott, Ringo Starr, Jim Keltner, Gary Wright, Willie Weeks, Andy Newmark, and Ron Wood. Track listing is as followed:
  1. Hari's on tour (Express)
  2. Simply Shady
  3. So Sad
  4. Bye Bye Love
  5. Maya Love
  6. Ding Dong, Ding Dong
  7. Dark Horse
  8. Far East Man
  9. It Is "He" (Jai Sri Krishna)


Extra Texture (Read All About It) -1975
Released on 22 September, 1975 (UK) and 3 October,1975 (US). The album was unlike his others, in which it was mostly recorded in the states. The album is full of songs reflecting his previous year with depression from his pending divorce, critics and his cocaine use.  The following is the track listing:
  1. You
  2. The Answer's at the End
  3. This Guitar (Can't Keep From Crying)
  4. Ooh Baby (You Know That I Love You)
  5. World of Stone
  6. A Bit More of You
  7. Can't Stop Thinking About You
  8. Tired of Midnight Blue
  9. Grey Cloudy Lies
  10. His Name Is Legs (Ladies and Gentlemen)
 Note: There was no videos of The full album for Extra Texture, by clicking on the above song titles you will be able to hear them. The below video is "You"

Thirty Three & 1/3 -1976
 After leaving Apple, this album was the first album released on George's Dark Horse label. The album was released 19 November, 1976 (UK) and 24 November, 1976 (US). It was recorded in his home studio at Friar Park and contains hits like "This Song", "Crackerbox Palace", "True Love", and "It's What You Value"; all of the four previous songs were released as singles. "This Song" was in response to the "My Sweet Lord" lawsuit, being sued for 'stealing' The Chiffon's song "He's so Fine".
  1. Woman Don't You Cry For me
  2. Dear One
  3. Beautiful Girl
  4. This Song
  5. See Yourself
  6. It's What You Value
  7. True Love
  8. Pure Smokey
  9. Crackerbox Palace
  10. Learning How to Love You


George Harrison-1979
George Harrison is a happier album, prior to the album he had married his second wife and had had his only child, Dhani. The record was released 20 February, 1979 (US) and 23 February,1979 (UK).  The album was also recorded in his home studio.
  1. Love Comes to Everyone
  2. Not Guilty
  3. Here Comes The Moon
  4. Soft-Hearted Hana
  5. Blow Away
  6. Faster
  7. Dark Sweet Lady
  8. Your Love Is Forever
  9. Soft Touch
  10. If You Believe
Bonus Tracks released in 2004

  1. Here Comes The Moon (demo)
  2. Blow Away (demo)


Somewhere In England- 1981
Released a few months after the death of former band mate, John Lennon. George honors his friend with his song "All Those Years Ago" having Paul McCartney (and Linda McCartney and Denny Laine) and Ringo Starr preform on the track. The album was released 1 June 1981 (US) 5 June 1981 (UK). The album caused conflict with Warner  Bros. Records (worked with the Dark Horse label). The company rejected the album, ordering George to get rid of four songs that they thought were too downbeat; "Tears of the World", "Sat Singing", "Lay His Head", and "Flying Hour". They also didn't like Harrison's original album cover of his profile on a map of Great Britain, George accepted all of these changes.
  1. Blood from Clone
  2. Unconsciousness Rules
  3. Life Itself
  4. All Those Years Ago
  5. Baltimore Oriole
  6. Teardrops
  7. That Which I Have Lost
  8. Writing's on the Wall
  9. Hong Kong Blues
  10. Save The World



Gone Troppo -1982
Released on the 5 November, 1982 (UK) and 8 November, 1982 (US). The album was a total disastor as some say and was his last album for five years. There were one album left on his current recording contract, Gone Troppo was the result.  During this time George had taken other interest with Handmade Films, racing, etc.
  1. Wake Up My Love
  2. That's the Way It Goes
  3. I Really Love You
  4. Greece
  5. Gone Troppo
  6. Mystical One
  7. Unknown Delight
  8. Baby Don't Run Away
  9. Dream Away
  10. Circles

Cloud Nine- 1987
 George teamed up with Electric Light Orchestra leader, amazing musician, and friend, Jeff Lynne to co-produce his album. Cloud Nine could be referred to as George's 'Comeback' album, since leaving the music world for five years. The album features great songs like "When We Was Fab" and especially "Got My Mind Set On You". The album would be released  on 2 November 1987 (UK) 3 November 1987 (US). The album would even be the start of the incredible super group, The Traveling Wilburys.
  1. Cloud 9
  2. That's What It Takes
  3. Fish On The Sand
  4. Just For Today
  5. This Is Love
  6. When We Was Fab
  7. Devil's Radio
  8. Someplace Else
  9. Wreck of the Hesperus
  10. Breath Away from Heaven
  11. Got My Mind Set On You



Live in Japan- 1992
After The Traveling Wilburys , George Harrison released his second solo album, Live In Japan. Close friend of George's, Eric Clapton, had persuaded George to go on tour with him. After his tour in 1974 George was a little uneasy about it but did the tour with Clapton and got great reviews. The album is credited to George Harrison, Eric Clapton, and Band
  1. I Want To Tell You
  2. Old Brown Shoe
  3. Taxman
  4. Give Me Love (Give Me Peace On Earth)
  5. If I Needed Someone
  6. Something
  7. What Is Life
  8. Dark Horse
  9. Piggies
  10. Got My Mind Set On You
  11. Cloud 9
  12. Here Comes The Sun
  13. My Sweet Lord
  14. All Those Years Ago
  15. Cheer Down
  16. Devil's Radio
  17. Isn't It A Pity
  18. While My Guitar Gently Weeps
  19. Roll Over Beethoven


Brainwashed -2002
Brainwashed was the last album George Harrison worked on before his death in 2001. Jeff Lynne and George's son Dhani had helped George on the album trying to get as much done as possible and recorded all of the songs, after George had found out he had lung cancer, four years after his successful battle of throat cancer. Unfortunately George passed away before the album was released, Jeff and Dhani finished the work on it and released the album about a year after George's passing.  The album includes the following;
  1. Any Road
  2. P2 Vatican Blues (Last Saturday Night)
  3. Pisces Fish
  4. Looking for My Life
  5. Rising Sun
  6. Marwa Blues
  7. Stuck Inside a Cloud
  8. Run so Far
  9. Never Get Over You
  10. Between The Devil and the Deep Blue Sea
  11. Rocking Chair in Hawaii
  12. Brainwashed

"I'll give up this sort of touring madness certainly, but music-everything is based on music. No, I'll never stop my music."-George Harrison